SIURN — Independent art. Look again.

THE SIURN GALLERIES

Typography & Conceptual Posters

A few words. A different way to see.

Questions Make Room — A doorway opens within the letters.

Questions Make Room

A doorway opens within the letters. Asking a question creates space where there seemed to be only a closed statement.

Leave a Window Open — A current passes through a window and becomes birds, suggesting how an idea can change through contact with the world outside.

Leave a Window Open

A current passes through a window and becomes birds, suggesting how an idea can change through contact with the world outside.

What We Feed Grows — A hand offers a seed to a threatening plantlike form, asking how the attention we give something can nourish both growth and fear.

What We Feed Grows

A hand offers a seed to a threatening plantlike form, asking how the attention we give something can nourish both growth and fear.

Time Does Not Belong To The Clock — A snail carries a clock above a city.

Time Does Not Belong To The Clock

A snail carries a clock above a city. The contrast between measured speed and lived rhythm questions the clock’s authority over our experience.

You Are Not Your Shadow — A small figure casts the shadow of an enormous wolf, exploring the distance between who we are and the shapes our fears or projections take.

You Are Not Your Shadow

A small figure casts the shadow of an enormous wolf, exploring the distance between who we are and the shapes our fears or projections take.

The Weight Of Elsewhere — A figure pushes a frame from which a landscape spills.

The Weight Of Elsewhere

A figure pushes a frame from which a landscape spills. Distance becomes an inner weight made of memories, desires and absent places.

The Unfinished Shore — An unfinished bridge ends before the horizon.

The Unfinished Shore

An unfinished bridge ends before the horizon. The figure inhabiting it suggests that belonging to a life does not require knowing where it will lead.

The Private Weather — An inverted umbrella holds a storm while a bird rests on its handle, exploring the possibility of observing conflict without making it our identity.

The Private Weather

An inverted umbrella holds a storm while a bird rests on its handle, exploring the possibility of observing conflict without making it our identity.

The Shape of Permission — A monumental stamp looms over a bird in flight, questioning how habit can exert authority over what tries to move freely.

The Shape of Permission

A monumental stamp looms over a bird in flight, questioning how habit can exert authority over what tries to move freely.

The Echo Room — A room holds the sea and an enormous shell.

The Echo Room

A room holds the sea and an enormous shell. What remains unspoken acquires a space of its own, like an echo that lingers within our lives.

Time’s Turn — A clock houses a swing opposite an empty chair, setting waiting against a time that continues to offer and withdraw opportunities.

Time’s Turn

A clock houses a swing opposite an empty chair, setting waiting against a time that continues to offer and withdraw opportunities.

The Unwatched Room — An unseen room lives within a woman’s silhouette, beyond the reach of watching cameras.

The Unwatched Room

An unseen room lives within a woman’s silhouette, beyond the reach of watching cameras. The work explores privacy as an inner freedom that power cannot fully possess.

What Remains — A pair of scissors cuts through a paper sky, but the severed fragment becomes a bird.

What Remains

A pair of scissors cuts through a paper sky, but the severed fragment becomes a bird. The work reflects on the impossibility of undoing the past—and the traces that survive every attempt to erase it.

A Voice of One’s Own — A hand raises a seashell among a regiment of megaphones.

A Voice of One’s Own

A hand raises a seashell among a regiment of megaphones. Its flowing voice interrupts their rigid rhythm, expressing the resolve to keep an individual voice within a system that demands conformity.